“Listen to Him”
A column by Most Rev. Ronald M.
Gilmore
Bishop of
We celebrated the feast of St. Gregory the
Great Sept. 3, pope, saint, doctor of the Church who died at
That
is the way Gregory is represented, you see, in much Christian art. He had
Peter the Deacon to thank for it, and the story is this: When Gregory was dictating
his homilies on Ezekiel, Peter said, something of a curtain separated him from
his secretary. When the Pope repeatedly
lapsed into silence for long periods, curiosity finally got the better of the
secretary, and he made a small hole in the curtain.
What
he saw was a dove seated upon Gregory’s head with its beak between his lips. When the dove would withdraw its beak, the
Holy Father would speak, and the secretary would take down his words. When the Pope fell silent, it was just as the
secretary suspected: the bird’s beak was back in his mouth.
Inspiration, Peter the Deacon
called it. In any case, may you never
again think of Gregory without wondering about that bird and that beak, that
mouth and those feathers.
Much
of his work gives the impression of being unorganized and overly diffuse. There seems to be no beginning, no middle,
and no end to Gregory, ever. To
appreciate him, you have to live with him, you have to play with his images, you have to savor his words.
His
books demand a certain leisure, that otium of which he so often spoke, and that is
hard to come by for us who live in a world of sound-bites and fast foods, where
shorter is always better.
His
long-windedness, his rambling, his repetitions, his
slowness in rounding off his thought: all this makes him difficult for us. Still, this unsystematic character of his
writings does have one notable advantage: you can open a book anywhere, start
anywhere, stop anywhere … and, if you savor it, you can draw benefit from
it. It is not for nothing that he is
called Great.
+ Most Rev. Ronald M. Gilmore
Bishop of
"El 3 de Spetiembre
celebramos la Fiesta de San Gregorio Magno, papa, santo, doctor de la Iglesia que murió
en Roma en el año 604. Es difícil
pensar en él sin preguntarse cómo un hombre podía hbalr con la boca llena de plumas.
Verán, así es cómo
está representado en el
arte Cristiano. El tiene a Pedro, el Diácono a quien agradecer y la historia va así: Cuando Gregorio dictaba sus homilías sobre
Ezequiel, Pedro dijo, algo
Cuando el Papa repetidamente
caía en largos períodos de silencio, la curiosidad lo llevó al secreatrio a abrir un pequeño
agujero en la cortina.
Lo que vió fue una
paloma sentada sobre la cabeza de Gregorio con
el pico entre sus labios. Cuando
la paloma retiraba el pico, el Santo Padre hablaba
y el secretario tomaba nota
de sus palabras. Cuando el Papa se callaba, fue
Inspiración - lo llamaba
el Diácono Pedro. En cualquier
caso, ya nunca más pensarán
en Gregorio sin preguntarse qué
era todo eso
Muchas de sus obras dan
la impresión de estar desorganizadas y demasiado difusas. Parece que
no tiene principio, ni medio, ni fin a Gregorio.
Sus libros requieren un cierto
pasatiempos, ese otium (ocio)
Sus largas repeticiones, su lentitud en redondear sus pensamientos
nos hace difícil leerle. Sin embargo, esta
característica de sus escritos tiene una ventaja notable; puede abrir un libro en cualquier hoja, empezar en cualquier parte, parar en cualquier parte .... y, si los saborea,
podrá ser provechoso para usted. No por nada, le llaman Gregorio, el Magno.